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This was not the original plan for the film; [2] Zemeckis had initially approached Sidney Poitier to play the president, but the actor turned the role down in favor of The Jackal.

When he said the line 'We will continue to listen closely to what it has to say,' I almost died. I stood there with my mouth hanging open. One notable feature of Contact is its use of digital color correction.

This approach helped solve continuity errors during the location shooting at the Very Large Array in New Mexico.

The opening scene is a three-minute computer-generated sequence, beginning with a view of Earth from high in the exosphere and listening in on numerous radio waves of modern programming emitting from the planet.

The camera then starts zooming backward, passing the Moon, Mars, and other features of the solar system, then to the Oort cloud , interstellar space , the Local Bubble , the Milky Way , other galaxies of the Local Group , and eventually into deep space.

As this occurs, the radio signals start to drop out and reflect older programming, representing the distance these signals would have traveled at the speed of light, eventually becoming silent as the distance becomes much greater.

The sequence eventually resolves into the iris of young Ellie's eye as she is listening on her amateur radio. This scale view shot of the entire universe was inspired by the short documentary film Powers of Ten At the time, it was the longest continuous computer-generated effect for a live-action film, eventually surpassed by the opening sequence from The Day After Tomorrow One sequence, with young Ellie running upstairs to try to retrieve her father's medicine, appears to have Ellie running just behind a camera as they move into the bathroom, but the shot resolves to show that this had been part of the medicine cabinet's mirror reflection, pulling back to have Ellie open it.

This sequence is noted as one of the film's most impressive visual effects due to the seamlessness of the transition. According to Carin-Anne Strohmaier, the first assistant film editor, the shot was created through three different plates , digitally manipulated in CGI to create the effect: The decoding of the extraterrestrial message, with its architectural drawings of the machine, was created by Ken Ralston and Sony Pictures Imageworks.

Imageworks created more than visual effects shots, using a combination of model and miniature shots and digital computer work. On designing the Machine, Zemeckis explained that "The Machine in Sagan's novel was somewhat vague, which is fine for a book.

In a movie, though, if you're going to build a giant physical structure of alien design, you have to make it believable.

It had to look absolutely real. Early conceptual designs of the Pod itself were based, as it existed in the novel, on one of the primary shapes in geometry, a dodecahedron , or a twelve-sided figure.

Eventually the Pod was modified to a spherical capsule that encases the traveler. Zemeckis and the production crew also made several visits to the Kennedy Space Center at Merritt Island adjacent to Cape Canaveral , where officials allowed them access to sites off-limits to most visitors.

Filmmakers were also brought onto Launch Complex 39 before the launch of the space shuttle. The resulting photographs and research were incorporated into the design of the machine's surrounding supports and gantry.

Once the concept met with the filmmakers' approval, physical construction began on the sets for the Pod itself, the interior of the elevator, and the gantry, which took almost four months to build.

The rest of the effects were compiled digitally by Imageworks. The climactic scene depicting the mysterious beach near the galactic core where Arroway makes contact, in particular, called for major visual innovations.

The goal was an idyllic seashore with a sky blazing with stars that might exist near the core of the galaxy. Ralston said that "the thought was that this beach would have a heightened reality.

One that might make the everyday world seem like a vague daydream. The Hitler newsreel also required digital manipulation.

The original score was composed by Alan Silvestri , most of which was released on August 19, , by Warner Bros.

The CD track entitled "Good to Go" features a slightly different opening—a brief brass motif that is not in the film—but all other cues are identical in orchestration to the mix in the film.

Contact often suggests that cultural conflicts between religion and science would be brought to the fore by the apparent contact with aliens that occurs in the film.

A point of discussion is the existence of God , with several different positions being portrayed. Joss compares his certainty that God exists to Arroway's certainty that she loved her deceased father, despite her being unable to prove it.

Contact depicts intense debate occurring as a result of the apparent contact with aliens. Many clips of well-known debate shows such as Crossfire and Larry King Live are shown, with participants discussing the implications of the message, asking whether it is proof of the existence of alien life or of God, and whether science is encroaching upon religious ground by, as one believer puts it, "talking to your god for you.

Although the revelation at the end of the film that Arroway's recording device recorded approximately 18 hours of static is arguably conclusive proof of the fact of—if not the experience of—her "journey", several coincidences and indications throughout the film cast doubt on its authenticity.

Director Robert Zemeckis indicated: Hadden Arroway's only sponsor, who was close to death from cancer after weeks of failed attempts by the team at the VLA.

At the end of the film, Arroway is put into a position that she had traditionally viewed with skepticism and contempt: Zemeckis stated that he intended the message of the film to be that science and religion can coexist rather than being opposing camps, [26] as shown by the coupling of scientist Arroway with the religious Joss, as well as his acceptance that the "journey" indeed took place.

This, and scattered references throughout the film, posit that science and religion are not nominally incompatible: Contact ' s release in July rekindled public interest in Sagan's novel.

Among the special features, the DVD contains three separate audio commentaries by director Zemeckis and producer Starkey, another by visual effects supervisors Ken Ralston and Stephen Rosenbaum, along with one by star Jodie Foster.

Kenneth Turan of the Los Angeles Times said the film carried a more philosophical portrait of the science fiction genre than did other films, but still managed "to satisfy the cravings of the general public who simply want to be entertained".

A Space Odyssey to be one of the greatest science fiction films ever made. Rita Kempley, writing in The Washington Post , did not like the film's main premise, which she described as "a preachy debate between sanctity and science.

A meteorite was found in Antarctica in , thought to be from Mars. Twelve years later, a paper by a NASA scientist was published in the journal Science , proposing that the meteorite might contain evidence for microscopic fossils of Martian bacteria later, a disputed interpretation.

I'm glad to be joined by my science and technology adviser This is the product of years of exploration Like all discoveries, this one will and should continue to be reviewed, examined, and scrutinized.

It must be confirmed by other scientists. But clearly, the fact that something of this magnitude is being explored is another vindication If this discovery is confirmed, it will surely be one of the most stunning insights into our universe that science has ever uncovered.

Its implications are as far reaching and awe inspiring as can be imagined. Even as it promises answers to some of our oldest questions, it poses still others even more fundamental.

We will continue to listen closely to what it has to say as we continue the search for answers and for knowledge that is as old as humanity itself but essential to our people's future.

Later in the film, a separate fragment of generic remarks by President Clinton, speaking about Saddam Hussein and Iraq at a different press conference in October , was lifted out of context and inserted into Contact:.

I would encourage you not to inflame this situation beyond the facts. Let us deal with this on the facts. We are monitoring what has actually happened.

The letter made no demands, but called the duration and manner of Clinton's appearance "inappropriate". No legal action was planned; the White House Counsel simply wanted to send a message to Hollywood to avoid unauthorized uses of the President's image.

Zemeckis was reminded that official White House policy "prohibits the use of the President in any way They saw scripts, they were notified when the film was completed, they were sent a print well in advance of the film's July 11 opening, and we have confirmation that a print was received there July 2.

While the Counsel commented that parody and satire are protected under the First Amendment , press secretary Mike McCurry believed that "there is a difference when the President's image, which is his alone to control, is used in a way that would lead the viewer to believe he has said something he really didn't say.

Johnson added that, for Contact , the CNN presence "creates the impression that we're manipulated by Time Warner, and it blurs the line.

Under their development agreement, [49] Coppola and Sagan were to split proceeds from the project, as well as from any novel Sagan would write, with American Zoetrope and Children's Television Workshop Productions.

The TV program was never produced, but in , Simon and Schuster published Contact and Warner moved forward with development of a film adaptation.

Although Torres agreed that Sagan violated some terms of the contract, he explained that Coppola waited too long to file his lawsuit, and that the contract might not be enforceable as it was written.

In April , the CCA dismissed his suit, finding that Coppola's claims were barred because they were brought too late.

The court noted that it was not until that the filmmaker thought about suing over Contact. The scene where the NASA scientists give Arroway the " cyanide pill " caused some controversy during production and when the film came out.

Griffin , the film's NASA advisor, insisted that NASA has never given any astronaut a cyanide pill "just in case," and that if an astronaut truly wished to commit suicide in space, all he or she would have to do is cut off their oxygen supply.

Zemeckis said that because of the two radically different assertions, the truth is unknown, but he left the suicide pill scene in the movie as it seemed more suspenseful that way and it was also in line with Sagan's beliefs and vision of the film.

He had previously been technical advisor for Ron Howard's film Apollo While working for NASA during the Apollo Program , he had been the actual flight director for that mission, among others, and during the s was the director of the Johnson Space Center.

From Wikipedia, the free encyclopedia. Redirected from Contact US film. British Board of Film Classification. Retrieved November 16, Archived from the original on Carl and I wrote the more than page treatment in November of The New York Times.

The Cinema of Robert Zemeckis. From Prince of Splatter to Lord of the Rings. Retrieved January 9, Archived from the original on December 15, Retrieved September 9, Archived from the original on July 26, Retrieved July 18, Retrieved February 27, Archived from the original on November 20, Associated Press on usatoday.

Clinton at The American Presidency Project, Films directed by Robert Zemeckis. Science as a Candle in the Dark Billions and Billions: A Personal View of the Search for God Quotes Sagan's number Stewart Avenue.

Hugo Award for Best Dramatic Presentation. A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun.

A team of international astronauts are sent on a dangerous mission to reignite the dying Sun with a nuclear fission bomb in An extraterrestrial race forced to live in slum-like conditions on Earth suddenly finds a kindred spirit in a government agent who is exposed to their biotechnology.

Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway, who passed away when she was nine years old leaving her then orphaned.

Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father.

Ever since funding from the National Science Foundation NSF was pulled on her work, which is referred to some, including her NSF superior David Drumlin, as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work.

When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders and other scientists such as Drumlin, try to take over her work.

When the messages received from space are decoded, Contact is based on the breathtaking novel written by the late Carl Sagan. It stars Jodie Foster as Ellie Arroway, a girl obsessed by what's out there.

She intercepts an alien message, after which a mission is set up to go and meet the extra-terrestrials. But make no mistake, this is no Star Trek.

This is a very pensive, intelligent movie that is times heartbreakingly sad. It is the for the nineties, since that movie was obviously somewhat of an inspiration.

The ending may disappoint somewhat at first view, but actually turns out to be quite haunting if you give it a chance. Enjoy wonderful acting, great direction and amazing special effects.

Read the book first though. You won't regret it. Visit Prime Video to explore more titles. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!

Keep track of everything you watch; tell your friends. Full Cast and Crew. Ellie Arroway, after years of searching, finds conclusive radio proof of extraterrestrial intelligence, sending plans for a mysterious machine.

Does the "Mayans M. Beyond the Top My favorite Sci Fi movies. Share this Rating Title: Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 1 Oscar. Learn more More Like This. The Fifth Element Children of Men Edit Cast Cast overview, first billed only: Young Ellie David Morse Ted Arroway Jodie Foster Eleanor Arroway Geoffrey Blake

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